You know it's sort of common wisdom among New York publishers that short story collections don't make money.

Since fantasy isn't about technology the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher!

I'm delighted about the track's success in the sports world but the frustrating thing is I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.

While writing my first 90 books I was magazine editor publisher book publisher executive etc. so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area.

When I started in the business there was a thing called adult fantasy but nobody quite knew what it was and most publishers didn't have an adult fantasy list. They had science fiction lists which they stuck a little bit of fantasy into.

The old fun thing is when somebody typed up the first chapter of War and Peace. And then made a precis of the rest of it and sent it out and only one publisher recognized it.

Music is everybody's possession. It's only publishers who think that people own it.

I have a problem with censorship by the lawyer - by legal people by the publishing firm and I may be changing publishers. They don't seem to want to take too many risks with living people.

And books that were published in much larger numbers than Selfish Little are hard to find. And publishers who wanted to publish my last few works have them stuck in limbo while new distribution ideas and legal issues and fears are blown away.

If you look at the publishers I've worked with generally they're a great bunch. Creation is unlike any other publishing house you can think of. The people I've worked with have integrity and intelligence and almost always less money than ideas.