I'm well-travelled so I can see places coming up. I went to St. Croix in the West Indies at Christmas and it had been hit by a really bad tornado. Values there have gone down but I guarantee they will be up again in eight years. So I'll get in now while it's cheap as chips.
When I was in Pulp I actively did more TV stuff because that was during the Great Britpop Wars and it seemed important to prove that indie people could speak. That war doesn't exist anymore.
When I started out as a music journalist at the end of the 1980s it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded beatbox disco soared indie rock took off and new wave invented a language of teen angst.
Ah reality TV: where opportunists delight in exposing opportunism! It's kind of like the indie music scene.
I do sort of gravitate towards smaller indie-type movies.
For the execution of the voyage to the Indies I did not make use of intelligence mathematics or maps.
It seems like the studios are either making giant blockbusters or really super-small indies. And the mid-level films I grew up on like 'Back to the Future' and all those John Hughes movies the studios aren't doing. It's hard to get them on their feet.
A film that I love is 'Raising Arizona' and that's funny but it's quite indie and weird and odd and quirky. I'd love to do something like that. Who knows?
People don't know where to place me. Terry Gilliam used me as a quirky cop in 'Twelve Monkeys' and then he hired me again to be an effeminate hotel clerk in 'Fear and Loathing in Las Vegas'. Another time I was shooting this indie film 'The Souler Opposite' and six days a week I'm playing this big puppy dog then I come to the 'NYPD Blue' set and become this scumbag.
In the old days a TV sync was perceived as not so cool or whittling away at your indie cred. Now it's seen as much more of an opportunity than a sellout as a way to find fans who wouldn't have ordinarily come across their genre of music.