There's such an extreme feeling to be in love especially in quite an emotionally destructive relationship where you're both kind of really bad for each other but you love each other so much. Those extreme emotions I think can only be described with extreme imagery.

Politics will eventually be replaced by imagery. The politician will be only too happy to abdicate in favor of his image because the image will be much more powerful than he could ever be.

The reason we are doing these types of pat downs and using the advanced imagery technology is trying to take the latest intelligence and how we know al Qaeda and affiliates want to hurt us they want to bring down whether it is passenger air craft or cargo aircraft.

Many memory techniques involve creating unforgettable imagery in your mind's eye. That's an act of imagination. Creating really weird imagery really quickly was the most fun part of my training to compete in the U.S. Memory Competition.

Surrealism had a great effect on me because then I realised that the imagery in my mind wasn't insanity. Surrealism to me is reality.

It's also reflective of a young person's religion or faith in that it's highly charged with sacramental imagery and with country imagery because I was in the seminary for so many years in the country.

In Dreams... well I was slightly overcompensating with that. I was a bit like a director for hire so maybe I was putting too much imagery that was familiar to me into it.

I liked the name Frog Brigade because it lent itself to a lot of cool imagery with the whole frog thing.

I thought Daredevil was kind of cool because he couldn't do anything. I mean he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic.

It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero Andy Warhol who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.