But in each case as a filmmaker who's been given sizable budgets with which to work I feel a responsibility to the audience to be shooting with the absolute highest quality technology that I can and make the film in a way that I want.

Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers novelists playwrights painters have been examining for a long time.

My three Ps: passion patience perseverance. You have to do this if you've got to be a filmmaker.

I think filmmakers want their movies to be seen.

If you look at anybody who's had along career if you look at the choices they've made - even if the movies haven't worked - they've always worked with great filmmakers.

I'm a filmmaker and I'm proud of the movies I've made. But in the background of my life I was also very involved in the creation of the sport.

In movies there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet difficult undertaking requiring subtlety in a filmmaker and perception and patience from us.

The more unique your film is and unusual it is and difficult it is the harder it is to get it financed. That's why a lot of good filmmakers are doing television. They do HBO movies.

I'm not one of those actors where filmmakers that I admire ask me to be in their movies. I meet them at parties and they're nice to me but they never ask me to work with them.

Other filmmakers make their movies and put them out and that's that. For me for some odd reason it goes deeper than that.