One of the things I really love about TV is this symbiotic relationship you can get between the writers and the actors and the characters start to come to life because you start to collaborate.

When you know people are really at peace with who they are and what they do they collaborate and want to help you to improve.

Although Bill Finger literally typed the scripts in the early days he wrote the scripts from ideas that we mutually collaborated on. Many of the unique concepts and story twists also came from my own fertile imagination.

It is all very well to copy what one sees but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.

It created a global platform that allowed more people to plug and play collaborate and compete share knowledge and share work than anything we have ever seen in the history of the world.

In the long history of humankind (and animal kind too) those who learned to collaborate and improvise most effectively have prevailed.

You know I've learned a lot from every person I've collaborated with from Madlib to Jean Grae and Hi-Tek to Mos to DJ Quik to even somebody like Jermaine Dupri. I've taken something important away from every experience.

But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design and our proposal won the competition. From beginning to end I stayed with the project. I am committed to fostering relationships between a city and its architecture.

Those who look for the laws of Nature as a support for their new works collaborate with the creator.