I think a lot of times we don't pay enough attention to people with a positive attitude because we assume they are naive or stupid or unschooled.

I did this Super-8 film at art school called 'Tissues ' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it and would throw my projector in the back of my car and show it to anybody who would watch it.

There was a big drive when I was at art school to make you aware of the economy of meaning - after all this was still during the tail end of minimalism. Being responsible for everything you put in your picture and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.

Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s) I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.

I went to art school actually when I was sixteen years old.

I'd love to go to art school. I'd love to learn how to draw. I'd love to be fluent in Spanish. I'd like to be a brain surgeon.

Becoming emancipated at 14 my life wasn't normal. I didn't have to go to school so I didn't. I was rebellious by nature. I spent my 20s focusing on my company Flower Films and producing movies. Now that I'm almost 30 I would like to try other things in lie. I'm crazy about photography and I want to take an art history class.

Irresponsibility is part of the pleasure of all art it is the part the schools cannot recognize.

Abstract Expressionism - the first American movement to have a worldwide influence - was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and you'll find a would-be Willem de Kooning).

I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.