I think sex is very interesting for most people but I'm interested in sex as a way of communication I'm not that interested in the fantasy version of a sex scene.
President Obama's version of America is a divided one - pitting us against each other based on our income level gender and social status. His policies have failed! We are not better off than we were 4 years ago and no rhetoric bumper sticker or campaign ad can change that.
I used to be a Catholic. I left because I object to conversion by concussion. If you don't agree with what they teach you get clobbered over the head until you do. All that does is change the shape of the head.
I'm not asking any of you to make drastic changes to every single one of your recipes or to totally change the way you do business. But what I am asking is that you consider reformulating your menu in pragmatic and incremental ways to create healthier versions of the foods that we all love.
I think we all have blocks between us and the best version of ourselves whether it's shyness insecurity anxiety whether it's a physical block and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
It's such a diversion to be constantly thinking of better ways I can teach people math that my hunger is for that really for new ways of translating the beauty of it.
Films for TV have to be much closer to the book mainly because the objective with a TV movie that translates literature is to get the audience after seeing this version to pick up the book and read it themselves. My attitude is that TV can never really be any form of art because it serves audience expectations.
I think no artist can claim to have any access to the truth or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.
The greater the decrease in the social significance of an art form the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed and the truly new is criticized with aversion.
Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly decisively for good.