I was working at the store on the Sony studios in Culver City. And I was literally holding a shirt when they came in and told me I'd got the part! It just shows dreams do come true.

The old studios that mass-produced dreams are gone with the wind just like the old downtown theaters that were the temples of the dreams.

I think taking design out of the studio and really having a relationship with the people that you're making it for really convinced me of how powerful a thing design is. It's not just an aesthetic decoration.

I am always locked in my design studio.

When we were in the design studio I always was pretending like I was in a closet asking my friend before I step out into the world what do I look like? And everybody wants that honest friend before they go and go to dinner or go to an event.

I like the gritty parts of fashion the design the studio the pictures.

An image is not simply a trademark a design a slogan or an easily remembered picture. It is a studiously crafted personality profile of an individual institution corporation product or service.

My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both worked on at Universal.

I'm an artist and I go in the studio and make my music. And then I'll give it to my dad and he does what he does. And he does you know the press and figuring out shows and whatnot. When it comes to my artistic freedom he doesn't like step on my toes or anything.

It's up to the courage of the filmmakers to make art in cinema not just business. John was rejected by studios he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.