When I'm shooting a movie I'm always in an invisible theater seat. I respect the fact that people have worked hard all week and want to go to the movies on the weekend and be entertained.
I'll work with a director if I think I'm going to get into a comfortable situation and if it's someone I respect and who respects me even if they're not so well known. Movies are hard to make and you have to work toward a common ethic and do your best.
I've been involved with violent movies and then I've also said at a certain point 'I can't take it anymore. Please cut it.' You know you've got to respect the filmmaker and it's a really tough issue.
In this respect early youth is exactly like old age it is a time of waiting for a big trip to an unknown destination. The chief difference is that youth waits for the morning limited and age waits for the night train.
It's disrespectful to tell the French in the morning that you're going to reduce the debt in the evening that you're not going to make any savings and the next morning after thinking about it that you're going to spend more.
I remember being at school during morning meeting and looking around at everybody 350 kids saying a prayer. We're all very young and no one knows what it means and I remember feeling strange that people were just repeating words that they didn't understand. I refused to participate. For some reason I always rejected it but respectfully.
Money is always on its way somewhere. What you do with it while it is in your keeping and the direction you send it in say much about you. Your treatment of and respect for money how you make it and how you spend it reflect your character.
The companies that survive longest are the one's that work out what they uniquely can give to the world not just growth or money but their excellence their respect for others or their ability to make people happy. Some call those things a soul.
It takes no compromising to give people their rights. It takes no money to respect the individual. It takes no survey to remove repressions.
I turned down twelve films last year... Huge money films but I had no respect for the writer or the work.