I never really had the classic struggle. I had faith.

I'd done table reads for my own screenplays and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater where you get to see plays produced by different directors and different casts but there's really nothing like that for movie scripts.

When I was a young musician the only option available to pursue secondary education in music was to attend a classical conservatory.

Anyone who has passed though the regular gradations of a classical education and is not made a fool by it may consider himself as having had a very narrow escape.

I doubt whether classical education ever has been or can be successfully carried out without corporal punishment.

I've been blessed by doing classic plays on Broadway which was one of my great dreams forever.

Do not suppose however that I intend to urge a diet of classics on anybody. I have seen such diets at work. I have known people who have actually read all or almost all the guaranteed Hundred Best Books. God save us from reading nothing but the best.

My folks have played everything from rock disco pop funk and blues. My dad has always brought and played different genres like jazz classical and Latin. With all this in my pocket I feel I have a taste of everything for my influences.

I had always loved music. I grew up listening to classic country Waylon Jennings Merle Haggard. My dad loved Vern Gosdin and Keith Whitley. So I kept going to class and started getting totally into playing guitar and teaching myself these songs.

My Dad died during the flu epidemic in 1918 when I was 4 years old. He left a lot of classical recordings behind that I began listening to at an early age so he must have been a music lover.