I wrote seven Myron Bolitar novels in a row and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal and I want him to grow and change. The problem with that is it makes the series limited you can't write a series where a guy is always going through some kind of crisis.

I don't write for any group. I write to bring about a change in consciousness.

If you continually write and read yourself as a fiction you can change what's crushing you.

Here I am paying big money to you writers and what for? All you do is change the words.

We like to think about how smart we are. But I think talent as a writer is hard-wired in it's all there at least the basic elements of it. You can't change it any more than you can choose whether to be right handed or left handed.

But I think talent as a writer is hard-wired in it's all there at least the basic elements of it. You can't change it any more than you can choose whether to be right handed or left handed.

In the back of your mind when you say you want to write music for the movies you're saying that you want a big house a big car and a boat. If you just wanted to write music you could live in Kansas and do it.

I think the true test of a pop song for me and I've talked to a lot of other writers about this is you take your demo you pop it in your car and you drive down Sunset Blvd. to Santa Monica and that's the Hollywood car test.

I love Lady Antebellum and Miranda Lambert - they write from the heart. But it's hard to find a country music lover in L.A. None of my friends really listen to it and they hate getting in the car with me because I just blast Taylor Swift.

One thing that worried me was how writers get categorized and so they end up having to write the same kind of book again and again. That is fine if it is what you want to do but I would rather be locked in the trunk of my car with a weasel than write the same book every three years until I die.