So war is an extremely sad business because the majority of people don't want to be in it.

I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So for me I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.

The sad thing about any business I suppose but in mine you see it particularly is that you're always asked to do what you've already done.

With the other fellow actors who have gone astray I think it's sad that society wants to label the business as doing this to people. It's really not true.

I heard this music coming out of the radio and it was 'Ain't Nobody's Business.' It got me. I thought 'I can do this.' I decided just like that. No romantic story.

More generally I made an effort to leave out things that weren't relevant to the main narrative themes of the book namely that there were two sides to Steve Jobs: the romantic poetic countercultural rebel on one side and the serious businessperson on the other.

Other bands gave us lip service but when it came down to it they kind of backed off. That was a little disheartening. But I respect them. That's their business.

You respect all of these people that you know in the business as actors. And they sort of turn around and say we really like your work. It's a nice acknowledgment.

My father was an inspiration to me I made a few movies with him and I loved working with him. Everything about him - his whole approach to work as well as his love enthusiasm and respect for it and other people in the business - was inspiring. I was very lucky to have him as a role model.

Stand-up don't get no respect - it's the hardest thing to do in show business. You don't have no band and there's no music.