I like messing around and I like working with artists who I respect.

All men are somewhat ridiculous and grotesque just because they are men and in this respect artists might well be regarded as man multiplied by two. So it is was and shall be.

The artist himself may not think he is religious but if he is sincere his sincerity in itself is religion.

My political ideas and things like that even my religion I try to keep close to me because it's a personal thing and I don't shove it down people's throats. I don't condemn any artist that wants to do that like the Baldwins. That's their choice. But in my world I'm just an entertainer.

Too many younger artists critics and curators are fetishizing the sixties transforming the period into a deformed cult a fantasy religion a hip brand and a crippling disease.

Favored Nations is a long-term commitment. Our hope is that those who are passionate about real musicianship will want to hear and own most of our albums. We will set out to attain the same direct relationship with our customers that we have with our artists.

The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.

You have a strange relationship with calamity when you're a writer: you write about it as an artist you objectify and fetishize it. You render life into material and that's a creepy thing to do.

My parents are artists in their world in the world of modern artists you are supposed to just go into your studio and tune everything out and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.

The cinema began with a passionate physical relationship between celluloid and the artists and craftsmen and technicians who handled it manipulated it and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes we cannot afford to lose sight of its beginnings.