I just want to keep making music recording and trying different things. I don't want to do the same thing all the time.

I've been told the weirdest things: 'Yeah I love taking a bath to your music!' or 'I gave birth to my daughter while listening to your music.'

I sing a mixture of everything from opera folk music Broadway. It's a mix of things.

I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.

Also because people like to multitask in a way if you've got a bit of music on in the background and the lyrical content is making you want to listen to it then that would probably put you off the texting you wanted to do. I think people like things that just make that right kind of noise but leave your brain free to do something else.

I don't write poems and put them to music. Just let things flow.

What makes my approach special is that I do different things. I do jazz blues country music and so forth. I do them all like a good utility man.

I've programmed myself musically to come up with love-feeling tracks that are romantic sexy but classy all in one. And that's the challenge. Once I create that music then the lyrical content starts to come - you know the stories and things like that.

These seem to me so ambiguous so vague so easily misunderstood in comparison to genuine music which fills the soul with a thousand things better than words.

A lot of the music that you listen to now is because of the things that the Meters did the Neville Brothers did and they're there the guys who invented those beats that the guys sample today. Such an enormous opportunity.