Trying to force creativity is never good.

Trying to describe something musical is like dancing to architecture it's really difficult.

Liquid architecture. It's like jazz - you improvise you work together you play off each other you make something they make something. And I think it's a way of - for me it's a way of trying to understand the city and what might happen in the city.

I've spent a lot of time and money trying to keep my anger in control.

I get in trouble when I say things like 'I'm attracted to violence.' I was a pretty angry kid and I got into military history largely as a way to vent my own anger. As I got older it narrowed down to a more specific focus on individual violence. I'm just trying to understand where it came from.

I was a pretty angry kid and I got into military history largely as a way to vent my own anger. As I got older it narrowed down to a more specific focus on individual violence. I'm just trying to understand where it came from.

I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself and that helps me to chill out a little bit. But politically uh-uh. No.

If we're given a number of circumstances to deal with the brain goes into this mode of trying to find a solution and it's amazing how good we are at it.

Gary Ross is amazing. He's just - he always has a billion ideas of what he wants but has a very clear perspective also he just makes it work. He really does. He's trying different things and making everything look amazing.

But I'm trying not to be cynical - I don't want to be one of those people who has a cool opportunity and blows it. It's really amazing what's happening to me.