And if I had a preference it would be to be able to not be in the studio until 4 in the morning.

I acted in theater and I took film classes when I was 12 and just obsessed over it. I loved it and spent hours and hours in the film studio learning and watching.

As an audience member those studio films are fun. I like an adventure tale and I also like to go see something that has more of a social pulse. I like to keep learning and trying new things. And if the scripts are good it doesn't really matter.

Some are so very studious of learning what was done by the ancients that they know not how to live with the moderns.

Darrell is really good in the studio. I mean he has a real working knowledge of how the process works and what sounds good coming back over tape and how the stuff works together.

It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals.

The flow of Guiness into the studio was inspirational as well as nutritive.

I've never really had a problem with the imagination level of an audience. They're always smarter and savvier than any studio exec will give them credit for.

Charles Laughton who's a great hero of mine only ever made one film and it happens to be one of the great films ever which is 'The Night of the Hunter.' It's full of his kind of imagination and creation and how you do things and just in the way he used the studio I just thought it was a fantastical way of using the studio.

I hate formal stuff. I love looking like a doll and all that stuff and playing dress up but when I'm home sweat pants t-shirt. When I'm in the studio sweat pants t-shirt.