It's very difficult to break into motion pictures but it's oddly easier for directors today because of independent films and cable who have inherited for the most part those films of substance that the studios are reluctant to finance.

Of course Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world but these films are exceptions judging from box office returns and press reviews.

The advantage of taking pictures of the famous is that they get published.

The pictures of my family were designed to be on a family wall they were supposed to be together. It was supposed to copy my mother's wall in her house.

I use every single thing that Alfred Hitchcock taught me in my acting career... I am very grateful for the education he gave me in making motion pictures.

I've come up through art school through painting through graphic design through advertising through TV commercials and music video. I've designed books built billboards matchbooks corporate identities. I continuously paint I've done conceptual art pictures.

It was by design that we mostly used pictures that you could not necessarily see what was going on and that didn't really focus in on the band but instead focused in on a theme.

I like the gritty parts of fashion the design the studio the pictures.

I had always loved John Ford's pictures. And I came to love him too but I was frightened to death working for him. He used the shock treatment while directing me.

To me I'm just a regular person going to the mall with friends and now I'm in Forever 21 and I see this random group of girls staring at me and taking pictures. But now I usually have my dad who is a really tall and intimidating person with me so he's kind of my bodyguard.