But it's cool working with female directors because I'm a girl so you do relate to them more. You can talk to them about other stuff like clothes and all that.

If you work in casting it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors but it wasn't true with any of the casting people I knew.

What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.

I think that Phil Kaufman is one of the best directors that I have come across.

I'm only wanted by directors for the image I give off and it makes me angry. I always wanted to be an actor and not a beauty pageant winner.

A lot of directors idealize their leading ladies or turn them into these objects of sexuality and beauty.

I'm very manipulative towards directors. My theory is that everyone on the set is directing the film we're all receiving art messages from the universe on how we should do the film.

When museums are built these days architects directors and trustees seem most concerned about social space: places to have parties eat dinner wine-and-dine donors. Sure these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.

If Martin Scorsese calls I am available. And then there the ones well you can just run down the list - any of those Oscar-nominated films they have amazing directors across the board.

Because I've made a film with such an amazing director as Tarantino I'm much more conscious of working with good directors from now on so that's what's important to me. I don't really care about making a big movie - I just want to make good ones.