The relationship between the media owner their relationship isn't strictly with people and audiences. It's also with advertisers and that's the most relationship in radio in fact it pays the bills.

One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this.

I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor my relationship with the actor and so on.

I also think the relationship I have with my audience is a lot more complex than what Hitchcock seemed to want his to be - although I think he had more going on under the surface as well.

Over the years I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.

Just me onstage with a mike having an intimate relationship with the audience. I don't get nervous for that. I just get excited.

The film depends on the audience's belief in this relationship.

When I play live it's a conversation that we're all having with the song and the audience... their response and relationship with the songs is as valid as my relationship with the songs.

It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them a lot of positive energy.

When the audience leaves I'd like them to feel positive when they go.