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I've always written. When I was in school the only teacher who ever liked me was my creative writing teacher. I used to enter poetry competitions and I don't think I ever lost one. So I had the idea for a while of being some kind of poet.

But for me being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most.

I work on words mostly toward them being poetry or short stories and then some of those become songs. They all find their place in the world but they all start off in the same place. I'm always painting and drawing as well and it's an ongoing creative assignment.

Today the U.S. is farther from being nourished by poetry than it was a hundred years ago when books of poems were best-sellers.

Those who say we should dismantle the role of Poet Laureate altogether the trick they miss is that being called this thing with the weight of tradition behind it and with the association of the Royal family does allow you to have conversations and to open doors and wallets for the good of poetry in a way that nothing else would allow.

Among the American contemporaries I read with most enjoyment are several North Carolinians. I think the best poetry being written these days is being written by Southerners.

Poetry has the virtue of being able to say twice as much as prose in half the time and the drawback if you do not give it your full attention of seeming to say half as much in twice the time.

For me poetry is a situation - a state of being a way of facing life and facing history.

I think there are things in my story that have helped my creativity. Your father being killed for instance is one of the best things that could happen to a kid if he's going to write poetry or songs.

It is the hour to be drunken! to escape being the martyred slaves of time be ceaselessly drunk. On wine on poetry or on virtue as you wish.