In those days it didn't take much imagination to come up with something that required great lyric development skills. You just thought of an experience that you might have gone through and write it down.

Yes I was correctly quoted in saying I introduced sex into films in the 20's but it was sex in good taste and left a great deal to one's imagination.

If you don't pay attention and if your imagination isn't pretty much engaged you're going to miss things and you're going to miss opportunities for it to be as compelling and as creepy as it can be.

But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.

By going over your day in imagination before you begin it you can begin acting successfully at any moment.

When you're young you have no worries no drama only your imagination. It's the best!

The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.

I have no idea why I write. The old standards are: I like to express my feelings stretch my imagination earn money.

The loss of liberty which must attend being a wife was of all things the most horrible to my imagination.

I was a wild mischievous kid and I had tremendous imagination. Any experience I had I'd try to reenact it.