Films have never shown the kind of relationship that can exist between two women.

There's been a slow death in a way. On the positive side there are films getting into the Academy Awards that wouldn't have but on the negative side financiers are now dominant and making all the decisions. I can't count the ways a director's vision is compromised.

It's also a question of finding good material and interesting roles. I'm not the only actress out there and good parts just don't fall into your lap that easily. But I like most of the films I've made recently and so I'm pretty positive about the future.

I would like to do something dark or small. I love independent films. I love emotional scenes. I love people who are struggling with something. I think it's just the juxtaposition to my incredibly happy positive demeanor.

I think I make films to help bolster and feed the part of me that wants to remain in a positive relationship with the world and to engage in it. So hopefully in non-sentimental ways I'm trying to make something that helps make me happy.

As I became very defined in my personal politics I turned down some films that I slightly regret now I'm not going to say what they were.

I would say that no film is apolitical. There are politics in all films. Any film that is anchored in a society any film that deals with humanity is necessarily political.

The whole thing about making films in an organic film on location is that it's not all about characters relationships and themes it's also about place and the poetry of place. It's about the spirit of what you find the accidents of what you stumble across.

My films are an extension of my poetry using the white screen like the white page to be filled with images.

I've been lucky. I've made films that I really like. It's been a combination of what comes to me and what I choose. I've gone after lots of things that I didn't get pet projects that everybody ends up chasing after. Really you're lucky if you get anything.