I could do without 'cool' publications calling me 'mom jazz.' But I laughed all the way to the bank baby.

I'd be happy to be taken as a woman - and that's what I was initially trying to do when I started throwing on dresses and stuff. But that wasn't going to happen because everyone kept calling me sir. So I thought I'd change the method and just start wearing what I wanted to wear.

Now we're in the midst of not just advocating for change not just calling for change - we're doing the grinding sometimes frustrating work of delivering change - inch by inch day by day.

I'm calling from my car I'm sorry I'm like running around like crazy.

Every night half an hour before curtain up the bells of St. Malachy's the Actors' Chapel on New York's 49th Street peal the tune of 'There's No Business Like Show Business.' If you walk the streets of the theatre district before a show and see the vast enthusiastic lines it sounds like a calling: there is certainly no place like Broadway.

In America we no longer have an institutionalized organized way of calling business to task - of taking them to account for what they've done - and this is especially true in the cultural realm.

As far as those kinds of things I also played at the concert to call for the release of Nelson Mandela when he was a political prisoner in South Africa. We were celebrating his 70th birthday and calling for his release.

The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide which implied that the only pleasure you can get from Folly architecture is by calling the architect mad and by laughing at the architecture.

At my age the only problem is with remembering names. When I call everyone darling it has damn all to do with passionately adoring them but I know I'm safe calling them that. Although of course I adore them too.

Middle Age is that perplexing time of life when we hear two voices calling us one saying 'Why not?' and the other 'Why bother?'