I went to England in the '70s and I was in my early 20s. There was still a residue of that era of being an underclass or colonial. I assume it must have been a more aggressive and prominent attitude 40 years before that because Australia internationally wasn't regarded as having much cultural value. We were a country full of sheep and convicts.

I am Classic Rock Revisited. I revisit it every waking moment of my life because it has the spirit and the attitude and the fire and the middle finger. I am Rosa Parks with a Gibson guitar.

Hitler and Mussolini were only the primary spokesmen for the attitude of domination and craving for power that are in the heart of almost everyone. Until the source is cleared there will always be confusion and hate wars and class antagonisms.

I was the hero of the young insurgent working class art movement.

One of the main reasons I am so drawn to Hitchcock is that he planned his shots way in advance on story-boards which he designed like classic paintings (he was an art connoisseur). It's why he found shooting on set boring - because he had already composed the film in his head.

Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s) I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.

Becoming emancipated at 14 my life wasn't normal. I didn't have to go to school so I didn't. I was rebellious by nature. I spent my 20s focusing on my company Flower Films and producing movies. Now that I'm almost 30 I would like to try other things in lie. I'm crazy about photography and I want to take an art history class.

We want to answer this classical question who am I? So I think that most of our works are for art or whatever we do including science or religion tried to answer that question.

In general the art of government consists of taking as much money as possible from one class of citizens to give to another.

I like things that are kind of eclectic when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance where the ancient bangs up against the contemporary. It has a touch of everything. That's my style and that's what my work is about.