I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.
Artists don't talk about art. Artists talk about work. If I have anything to say to young writers it's stop thinking of writing as art. Think of it as work.
In the first book of my Discworld series published more than 26 years ago I introduced Death as a character there was nothing particularly new about this - death has featured in art and literature since medieval times and for centuries we have had a fascination with the Grim Reaper.
I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage to love my first language Spanish to learn about Mexican history music folk art food and even the Mexican candy I grew up with.
We're all entitled to opinions about how art institutions should behave and entitled to voicing those opinions through whatever means available to us. We're also allowed to change or modify our opinions.
Jeffrey Deitch is the Jeff Koons of art dealers. Not because he's the biggest best or the richest of his kind. But because in some ways he's the weirdest (which is saying a lot when you're talking about the wonderful wicked lovable and annoying creatures known as art dealers).
When museums are built these days architects directors and trustees seem most concerned about social space: places to have parties eat dinner wine-and-dine donors. Sure these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
I don't know much about auctions. I sometimes go to previews and see art sardined into ugly rooms. I've gawked at the gaudy prices and gaped at well-clad crowds of happy white people conspicuously spending hundreds of millions of dollars.
I often find myself privately stewing about much British art thinking that except for their tremendous gardens that the English are not primarily visual artists and are in nearly unsurpassable ways literary.
Kinkade's paintings are worthless schmaltz and the lamestream media that love him are wrong. However I'd love to see a museum mount a small show of Kinkade's work. I would like the art world and the wider world to argue about him in public out in the open.