A man who cannot be enticed by money or intimidated by the threat of jail or death has two of the strongest weapons that anyone has to offer.

I've been dating younger men since my 20s When I was 29 I dated someone 21... younger men are just more fun. I like their energy. I've always been kind of young for my age.

I've dated all kinds of guys and didn't know who I'd end up with. But I kind of assumed it would be someone more like my dad than not.

If I was designing a web site for elementary school children I might have a much higher percentage of older computers with outdated browsers since keeping up with browser and hardware technology has not traditionally been a strong point of most elementary schools.

The question remains: which brands will commit to creating a private sector pillar of social change and which will become casualties of their own outdated thinking?

Racism has been for everyone like a horrible tragic car crash and we've all been heavily sedated from it. If we don't come into consciousness of this tragedy there's going to be a violent awakening we don't want. The question is can we wake up?

I dated a guy and he liked me but I didn't like him. I went through his wardrobe and cleaned out his house and got him to get a new car. He said to me 'If I give you $10 0 will you find me my wife because I want someone like you?' And within a year he got married. That was the first match that led to me leaving my corporate job.

I want to be remembered for the work that I've done rather than the car accidents that I've gotten into the men that I've not dated - or the man that I have.

The 9-9-9 plan would resuscitate this economy because it replaces the outdated tax code that allows politicians to pick winners and losers and to provide favors in the form of tax breaks special exemptions and loopholes. It simplifies the code dramatically: 9% business flat tax 9% personal flat tax 9% sales tax.

It's great that New York has large spaces for art. But the enormous immaculate box has become a dated even oppressive place. Many of these spaces were designed for sprawling installations large paintings and the Relational Aesthetics work of the past fifteen years.