But after the time there I'd had it with fashion again so I left to go to architecture school in a summer course at Harvard which didn't last very long.

I was going to be an architect. I graduated with a degree in architecture and I had a scholarship to go back to Princeton and get my Masters in architecture. I'd done theatricals in college but I'd done them because it was fun.

I think that narrative fiction filmmaking is the culmination of several art forms: theater art history architecture. Whereas doc filmmaking is more pure cinema like cinema verite is film in its purest form.

There was an age however when the transition from savagery to civilization with all its impressive outward manifestations in art and architecture took place for the first time.

But I feel truly wowed by the architecture and the meaning of the architecture if you get lost in it and think about the man hours in the smallest little chapel and the love involved. God it's fantastic.

The job of buildings is to improve human relations: architecture must ease them not make them worse.

After World War II great strides were made in modern Japanese architecture not only in advanced technology allowing earthquake resistant tall buildings but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.

After about the first Millennium Italy was the cradle of Romanesque architecture which spread throughout Europe much of it extending the structural daring with minimal visual elaboration.

I was a student at Columbia College actually in the Architecture school. Paul would drive in from Queens showing me these new songs. I can't remember us working it out.

The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide which implied that the only pleasure you can get from Folly architecture is by calling the architect mad and by laughing at the architecture.