The way I look at it everything is a trade. You acquire some money so then you've got no financial burdens but everyone wants your money and so who can you trust? Or you've got no money and you can trust anyone but then you've got the worry to pay bills. Which is worse?

When there's writing that you really trust it's very freeing as an artist.

We've outsourced our memories to digital devices and the result is that we no longer trust our memories. We see every small forgotten thing as evidence that they're failing us.

And as I've gotten deeper into the process of making films and television and such I think I have more trust in the fact that you really never know what you're going to find after the twenty-fifth take.

When I'm on stage it's a little world I've created where I'm sort of the thing so I have total control over everything that happens. When we're improvising I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.

I also learned to be more confident to trust my instincts more.

It's interesting because I tend to trust a man with big ears.

You can't trust very many people.

The first sentence of every novel should be: Trust me this will take time but there is order here very faint very human. Meander if you want to get to town.

I believe in singularity in relationships because you've got to have trust on both sides.