All my concerts had no sounds in them they were completely silent. People had to make up their own music in their minds!

Because of the Thames I have always loved inland waterways - water in general water sounds - there's music in water. Brooks babbling fountains splashing. Weirs waterfalls tumbling gushing.

There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.

All that stuff about heavy metal and hard rock I don't subscribe to any of that. It's all just music. I mean the heavy metal from the Seventies sounds nothing like the stuff from the Eighties and that sounds nothing like the stuff from the Nineties. Who's to say what is and isn't a certain type of music?

The man that hath no music in himself Nor is not moved with concord of sweet sounds is fit for treasons stratagems and spoils.

There's a lot of music that sounds like it's literally computer-generated totally divorced from a guy sitting down at an instrument.

I don't care much about music. What I like is sounds.

Music is nothing else but wild sounds civilized into time and tune.

I often begin movies with music in my head it's a very important dimension to me. Not just the music itself but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories and I like the abrasive clang the contrasting of sounds and cultures.

The dubbing of the music and effects is really incredible today. You're feeling gun shots. I mean it's not the way people say it is but the gunshot sounds real. And cars sound real. Among the many things in the evolution (of movies) is to make the sound in the movie incredible. That's what you feel.