I had always loved to write and my mom was my editor for my school papers.

In my role as Wikileaks editor I've been involved in fighting off many legal attacks. To do that and keep our sources safe we have had to spread assets encrypt everything and move telecommunications and people around the world to activate protective laws in different national jurisdictions.

The advertisements in a newspaper are more full knowledge in respect to what is going on in a state or community than the editorial columns are.

Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this and who else other people may be and all that it's so grimly brutal!

In the beginning we had a great deal of freedom and Jerry wrote completely out of his imagination - very very freely. We even had no editorial supervision to speak of because they were in such a rush to get the thing in before deadline. But later on we were restricted.

I am proud and more than a little excited to be asked to work with Faber in an editorial capacity. It is my dearest hope that we will produce some fantastic books together.

I think I'm becoming more relaxed in front of a camera. I suppose I'll always feel slightly more at home on stage. It's more of an actor's medium. You are your own editor nobody else is choosing what is being seen of you.

The essays in The Great Taos Bank Robbery were my project to win a Master of Arts degree in English when I quit being a newspaper editor and went back to college.

Those who write the editorials and those who write the columns they simply are unaccountable. They're free to impose their cultural politics in the name of freedom of the press.

It's all about who's where on the food chain. When I'm the story editor I expect my writers to follow my vision. When I'm working for another editor I'm obliged to follow their vision.