I have this desire to just while away weeks months and years. It took me two years to make this record but that was with me trying to condense my process and not disappear down the rabbit hole with all the cool things I've collected. I could take 10 years and not explore everything I want to with these instruments.

I have this idealistic and maybe naive thought that almost any song can be anything. If you record one song today it would maybe be exciting and cool. But I could record the same song next week and it would be something completely different.

Even as a kid if I would come across something cool in the record store that would be how I found out about bands. It's kind of the same way these days. In a way even less because there are no record stores to go to anymore.

If we really wanted to be cool and everyone in the world had Pro Tools we could just put it up on the internet and everyone could make their own record out of it.

I like that band Get Hustle. They're cool live. I haven't heard their records though.

I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records maybe you're meant to cater to another market.

It's pretty cool that people will pay for something even though they don't have to. It's totally different now to back in the day. Now you're paying for a record because you believe in the band. In the future that will be the only time people will pay for albums because there's some kind of connection.

I have visualizations where I'm living in a really cool place - probably outside of town - with a really dope studio where I can record music or film things. Just have my own mini production house. That's really the thing I'd love to end up with the most and only do gigs when I needed to and also amass a little bit of a crew around me.

We had incense and rock'n'roll posters and we sold records and rolling papers. People could just like hang out. We had a cool vibe going.

When certain bootleg companies started off and they would take maybe ten per cent of whatever they got and help fuel new bands which I'm cool with I think that's a good idea. Most of the record companies are not doing that.