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I want to be part of the resurgence of things that are tangible beautiful and soulful rather than just give in to the digital age. But when I talk to people about this they just say 'Yeah I know what you mean ' and stare at their mobiles.

One of the many pleasures of old age is giving things up.

You have to be desirable. And that's why so many woman of my age or even younger are pushed to Botox and plastic surgery all the things that people say 'Why do women do this?' Where do you go in your 50s in your career?

I learned from a very young age that if I pursued the things that truly excited me that they would reward in more important ways like happiness.

There are only two things a child will share willingly communicable diseases and its mother's age.

I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now maybe things would happen for me but it certainly would not be on a variety show with 28 musicians 12 dancers two major guest stars 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today.

Life expectancy in many parts of Africa can be something around the age of thirty five to thirty eight. I mean you're very fortunate if you live to that age. In fact when I went to Uganda for the first time one of the things that occurred to me was that I saw very few elderly people.

A lot of music you might listen to is pretty vapid it doesn't always deal with our deeper issues. These are the things I'm interested in now particularly at my age.

Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

I think if you put a camera in anyone's life and document it daily from the age of 21 to 27 there are going to be things that aren't always pretty.

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In every work of art the subject is primordial whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject the form is always in proportion to the obsession.