Our brand at Netflix is really focused on movies and TV shows.

Cinema is visually powerful it is a complete experience reaches a different audience. It's something I really like. I like movies.

We have a very wide range of content but the brand-newest movies what's happening with those is a $30 pay-per-view option - not from Netflix but from DirecTV and others - of movies that are in the theater.

I really like the half-hour comedy. I really do. I know people that are in movies all the time and they you know they don't see their families as much. And that takes its toll over time.

I find that movies tend to fix the aesthetics of a story in people's minds.

I've never written a movie I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on and that feels like enough of a job for me.

Movies were a struggle for me - they didn't come easy.

No 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that I didn't direct it but 'Candyman' and the earlier horror movies I made I was completely into horror and suspense and always have been. It's informed everything I've done even the way scenes are shot in 'Kinsey and 'Gods and Monsters.'

If you look at anybody who's had along career if you look at the choices they've made - even if the movies haven't worked - they've always worked with great filmmakers.

I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor ' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it you know. It is weird. Suddenly you wake up and it's like 'God five years have gone by.'