I tend to start at 9 o'clock in the morning and write until 3. Those are my best hours. They fit the other rhythms of the world. So I write for six hours pretty much without any breaks.

I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.

A metaphysical tour de force of untethered meaning and involuting interlocking contrapuntal rhythms 'The Clock' is more than a movie or even a work of art. It is so strange and other-ish that it becomes a stream-of-consciousness algorithm unto itself - something almost inhuman.

The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewer's journey shifts the emphasis from process to product and lacks individuality and openness. It's not that art should be seen only in rutty bombed-out environments but it should seem alive.