A young imagination is bold likes to make bigger leaps. It likes to well imagine that the dustbuster is a dinosaur that the computer mouse is a hotrod that the box is a cave that the rawhide is a torch... or a baton... or something.

It seems like the studios are either making giant blockbusters or really super-small indies. And the mid-level films I grew up on like 'Back to the Future' and all those John Hughes movies the studios aren't doing. It's hard to get them on their feet.

A funny thing happens in real estate. When it comes back it comes back up like gangbusters.

Summer blockbusters are very expensive to make. They have things that have to be expensive such as 600 effects shots or CG characters that have to go a certain way or a film design that is different but expensive.

Sydney in the 1960s wasn't the exuberant multicultural metropolis it is today. Out in the city's western reaches days passed in a sun-struck stupor. In the evenings families gathered on their verandas waiting for the 'southerly buster' - the thunderstorm that would break the heat and leave the air cool enough to allow sleep.

I want to let my friend Buster know that I would like to have dinner with him tonight. Does Buster work at home? Then how likely is he to have his cell phone on? Is he one of those people who only turns on his cell when he's in his car? I hate that.

I think Paul Newman had an amazing career. I also love what Tom Hanks has done. He has always made very grounded movies that have something to say. He has found a way to make blockbusters that are about something and that is what I want to do.

I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.

In the first 50 years of the filibuster it was used only 35 times. But the last Congress alone had 112 cloture motions filed plus threats of more. This is the tyranny of the minority.