It's art that pushes against psychological and social expectations that tries to transform decay into something generative that is replicative in a baroque way that isn't about progress and wants to - as Walt Whitman put it - 'contain multitudes.'

Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste momentary glitches in an artist's work or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times however these problems mean there's something wrong with the art.

There's something pleasing about large well-lit spaces. I love that dealers are willing to take massive chances in order to give this much room to their artists. Most of all I love that more galleries showing more art gives more artists a shot.

Money is something that can be measured art is not. It's all subjective.

The art gods cooked up something special for James Ensor.

Let's talk of a system that transforms all the social organisms into a work of art in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.

I didn't grow up thinking of movies as film or art but as movies something to do on a Saturday afternoon.

What strikes me is the fact that in our society art has become something which is only related to objects and not to individuals or to life.

Film editing is now something almost everyone can do at a simple level and enjoy it but to take it to a higher level requires the same dedication and persistence that any art form does.

The style of ancient Egyptian art is transcendently clear something 8-year-olds can recognize in an instant. Its consistency and codification is one of the most epic visual journeys in all art one that lasts 30 dynasties spread over 3 000 years.