Essentially I'm untrained so I just go with my imagination and try to put myself as solidly as I can into the shoes of whatever person I'm going to be playing.

It's a slight stretch of the imagination but most people are alike in most ways so I've never had any trouble identifying with the character that I'm playing.

Classical plays require more imagination and more general training to be able to do. That's why I like playing Shakespeare better than anything else.

Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable.

I love doing comedy. You don't get many good comedy scripts. They're rare. But I do love playing comedy. Even in drama I like to try to find the humor because I think it's very human.

But it was this tough little character part that I was playing a very funny little guy that I invented over a weekend because I realized I was not contributing to the humor of this thing. And I had to do something.

I think great humor lies in playing the truth of a situation. I see myself as a performer and that applies to a Greek drama or a modern comedy.

I think great humor lies in playing the truth of a situation.

I hate formal stuff. I love looking like a doll and all that stuff and playing dress up but when I'm home sweat pants t-shirt. When I'm in the studio sweat pants t-shirt.

The coolest thing and I have it at home is a huge Hulk Hogan normal-sized pinball machine. When people come over they play it for hours. When you hit the bumpers and the bells ring it goes 'Oh yeah!' The whole time you're playing this machine it's yelling and screaming at you 'What you gonna do brother?!' I think that's the coolest.