Beauty is how you feel inside and it reflects in your eyes. It is not something physical.

Outside museums in noisy public squares people look at people. Inside museums we leave that realm and enter what might be called the group-mind getting quiet to look at art.

I think that one's art is a growth inside one. I do not think one can explain growth. It is silent and subtle. One does not keep digging up a plant to see how it grows.

Riding a race bike is an art - a thing that you do because you feel something inside.

What's fascinating about D.C. the exteriors are these elaborate structures this gorgeous architecture and beautiful stonework and then you go inside and it's crap-looking - apart from the White House which is beautiful.

You might say that when you step inside you're entering a honorific space but that's something totally different than experiencing it. And in architecture the experience comes first. That has the deepest effect on us.

Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

For a long time I thought I could deal with my anger and hostility on my own. But I couldn't. I denied that it had affected me and yet I was so frantic on the inside with other people: I needed to be constantly reassured.

I had a lot of anger inside me and that came out at times that were not particularly advantageous to me career-wise.

So many women keep their anger inside and let it build until they explode and then people blow them off again.