I mean there are some amazing storytelling being done on the small screen right now. That's what so cool about being in television right now. Studios networks are starting to throw more resources better writers more production values... and to be part of that is awesome.

Twitter is the most amazing medium for a comedy writer. I can't get in every idea I want on the show no matter how hard I try to bully the other writers so it's a way of me getting out other comic ideas and immediately getting feedback.

I kicked the door open and I'm gonna hold my leg in there. I'm keeping the door open for all these amazing female singer-songwriters that are coming out.

Largely this is a class thing - writers tend to be cosseted little middle-class kiddies who think that the world owes them a royalty cheque. But just doing it - being in your room for years on end locked in your head alone with invented ghosts - it weakens and softens the body. And I know I can't just live in my head.

I have Graham Greene's telephone number but I wouldn't dream of using it. I don't seek out writers because we all want to be alone.

I like singer-songwriters and I find sad songs comforting rather than depressing. It makes you realise you're not alone in the world.

Writers may be disreputable incorrigible early to decay or late to bloom but they dare to go it alone.

The daily act of writing remains as demanding and maddening as it was before and the pleasure you get from writing - rare but profound - remains at the true heart of the enterprise. On their best days writers all over the world are winning Pulitzers all alone in their studios with no one watching.

I don't think I ever got the hang of the writers' room. I love collaborating with people but I really do my best work alone and I think I would want to - if I did something again I think I'd want to take total ownership the way Aaron Sorkin or David Kelley does.

I alone of English writers have consciously set myself to make music out of what I may call the sound of sense.