Music is so therapeutic for me that if I can't get it out I start feeling bad about myself - a lot of self-loathing.

No good opera plot can be sensible for people do not sing when they are feeling sensible.

After doing 'Firefly' and moving on I always wanted to be part of a series again. I love doing films too but there's just something special about being part of the team and feeling like you're actually a part of the family and I always look to re-create that.

I'm pretty horrible at relationships and haven't been in many long-term ones. Leaving and moving on - returning to a familiar sense of self-reliance and autonomy - is what I know that feeling is as comfortable and comforting as it might be for a different kind of person to stay.

I have a feeling one of those gut feelings that I'll make pretty good movies the rest of my life.

The dubbing of the music and effects is really incredible today. You're feeling gun shots. I mean it's not the way people say it is but the gunshot sounds real. And cars sound real. Among the many things in the evolution (of movies) is to make the sound in the movie incredible. That's what you feel.

I'm really proud of 'Moneyball.' To me it's about feeling pride in a movie I made. I think when I'm an old man I'll be able to show it to my grandkids with pride. That's all I can really go for: making movies to please me.

When I was a little kid - and even still - I loved magic tricks. When I saw how movies got made - at least had a glimpse when I went on the Universal Studios tour with my grandfather I remember feeling like this was another means by which I could do magic.

I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.

I like the good feeling movies.