I especially object to having my character assassinated by reference to events from my past which bear absolutely no relationship to the question of who the anthrax killer is.

And I have the support of the writers: I have a great relationship with the creative team and they have a good hold of my character and my personality and they come up with some great stuff and I'm forever trying to change it up keep it fresh.

I would be a terrible person to be in a relationship with because I'm either sleeping or at the theater.

I had cars houses jewels furs and a husband who loved me and a career I was happy with. But I found fulfillment in my relationship with Christ.

It's like our relationship is always about the other side that isn't the obvious side.

As much as the mystery element is all a lot of fun when you do go to 'Edwin Drood ' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.

I think our relationship with Epic had run its natural course and it happened to coincide with the fulfillment of our contract. We decided not to resign with them.

A lot has been written about Tony Perkins and myself and I figured Let's get it straight. I had a relationship with Tony for two to three years but those are only threads in the tapestry of my whole life.

I'm working on my relationship with my mother and father but my upbringing has been very destructive.

The trouble with anyone when they're unhappy or in a relationship they recognize is not working but don't know what to do about is that they can't see farther out than that. If the relationship is not working if what was there isn't there anymore you have to do something about it.