What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.

The first work of the director is to set a mood so that the actor's work can take place so that the actor can create. And in order to do that you have to communicate communicate with the actors. And direction is about communication on all levels.

Not since the steam engine has any invention disrupted business models like the Internet. Whole industries including music distribution yellow-pages directories landline telephones and fax machines have been radically reordered by the digital revolution.

I feel fine I don't care who the director is. All you have to do is know what your doing - all of us - everybody in the business - that's all you ask anyone - you know your job I know mine let's go do it.

I am a sensitive writer actor and director. Talking business disgusts me. If you want to talk business call my disgusting personal manager.

If being an attractive woman got you attention for directing then the entire 'best director' category would be comprised of models. To me that is just the most ludicrous connection that you could make.

I think that Phil Kaufman is one of the best directors that I have come across.

The best director is the one you don't see.

I'm only wanted by directors for the image I give off and it makes me angry. I always wanted to be an actor and not a beauty pageant winner.

A lot of directors idealize their leading ladies or turn them into these objects of sexuality and beauty.