I am an Anglo-Catholic in religion a classicist in literature and a royalist in politics.

Every man who repeats the dogma of Mill that one country is no fit to rule another country must admit that one class is not fit to rule another class.

Tradition means giving votes to the most obscure of all classes our ancestors. It is the democracy of the dead. Tradition refuses to submit to that arrogant oligarchy who merely happen to be walking around.

We recognise in the finished art which is the result of these conditions the best words in the best order - poetry and to put this essential poetry into different classes is impossible.

Besides the actual reading in class of many poems I would suggest you do two things: first while teaching everything you can and keeping free of it teach that poetry is a mode of discourse that differs from logical exposition.

The middle class is doing fine in fiction. But it's not what gets me going. I love the working class and everyone from it I've met and think they're incredibly witty inventive - there's a lot of poetry there.

On July 26 1916 I announced to all my friends in America that from now on I resolved to write no more poems in the classical language and to begin my experiments in writing poetry in the so-called vulgar tongue of the people.

I really enjoy English and poetry and writing classes.

Class struggle: external peace international solidarity peace among peoples. This is the sacred slogan of international socialist democracy that liberates nations.

Rwanda was considered a second-class operation because it was a small country we had been able to maintain a kind of status quo. They were negotiating they'd accepted the new peace project so we were under the impression that everything would be solved easily.