I think it would be fun to write about movies again.

I've directed seven movies and know a thing or two about dealing with unexpected crises.

If you go to Sundance the experience that I've had there as a viewer is... there's like a hundred movies there and you've got to figure out what movies are sold out what can you see. Sometimes you go to see movies that you don't know anything about because it just works into your schedule.

Success is not something I've wrapped my brain around. If people go to those movies then yes that's true big-time success. If not it's much ado about nothing.

I want people to think about movies and how we watch them. Let them know it's okay to question the structure or how we're sometimes duped into a false sense of normalcy. Most of all I want people to question the old standard practices of 'This is how the structure of something should work ' or 'This is how a character must behave.'

Whenever I think about movies I always look at that art process as having the best of a lot of worlds. Because if you watch a great film you have a musical element to it not just on the scoring but in the way that the shots are edited - that has music and rhythm and time.

But when you're writing a script - for me anyway - you have to sort of create an enforced innocence. You have to divest yourself of worrying about a lot of stuff like what movies are hot what movies are not hot what the budget of this movie might be.

I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.

Movies are about escape.

You just never know when movies are going to take off or not. The lucky thing about this was that it didn't cost a lot of money and therefore there wasn't loads of pressure on me.