I always know exactly where my stories take place which gives me something certain so I can use my imagination for the other stuff. I worry though who wants to keep reading stories about Kalamazoo?

The way that a handful of corporations in Los Angeles dictate how our stories are told creates a real poverty of imagination and it's a big problem.

There's just so many great stories in the past that you can know a little bit about but you can't know it all and that's where imagination can work.

I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.

'Castle' is a guy living in a fantasy world. He's in his imagination writing these stories of murder.

Ghost stories really scare me. I have such a big imagination that after I watch a horror movie like 'The Grudge' I look in the corners of my room for the next two days.

Some stories are true that never happened.

I think films about men are often about characters who don't want to express their feelings. You're supposed to kind of admire them for not expressing their feelings. And I feel that's a bit dull. Women's stories often have stronger emotional content which I enjoy doing. What I really love doing is mixing that with humor.

It's self-effacing it's hard-luck the shtetl stories. All those Coasters things are an amalgam of Yiddish and black humor.

Suspense is very important. Even though this is humor and they're short stories that theory of building suspense is still there.