I seriously hate pop music and all things super-commercial.

I was never too keen on the British music press. They've called us a supermarket hype and they used to suggest that we didn't write our own songs.

The scarcity of the music not only makes the music itself enjoyable but it also gives the collector a strange sense of superiority.

All my friends were in college when I was making 'Superbad.' We were drinking beer and watching movies and eating pizza. It wasn't like I was going to nice restaurants or anything like that and I lived like a frat guy. Eventually it was time to grow up be healthy and be responsible. You can't live like a kid forever you know?

Once you make a movie like 'Superbad ' when it's popular and you're the lead you get offered all kinds of things and there's a temptation to make bad movies either for the money or to maintain your relevance in pop culture.

I'm sure a bunch of 15-year-old kids would way rather I do 'Superbad 2' than 'Moneyball.' But I would love to do movies like 'Superbad' and movies like 'Moneyball.'

It's so great in Hollywood now. You have people past 40 sitting and talking about serious stuff writing and making movies and TV but there's laser pistols and superheroes and alien monsters involved. It's viable and mainstream.

Critics can be harsh and I think it's going to take me a long time to make people see what I have inside of me and that I really put my guts into movies and that I'm not superficial and that I'm not just a pretty face.

What people adore about superhero movies is the signal quality of the Christopher Nolan films - their complete lack of irony when it comes to the portrayal of heroism and the need for heroes to confront evil.

I would bend over backward to be back on Grey's. Any day I'll choose lying in bed with Katherine Heigl looking over me over getting thrown against walls by supernatural persons at 5 in the morning.