Without international participation jobs and emissions will simply shift overseas to countries that require few if any environmental protections harming the global environment as well as the U.S. economy.

For wide swaths of training and education there are valuable spillovers which mean that the private sector needs support from the government. That is why I have been so determined to protect and grow apprenticeships and put higher education on a sustainable footing.

As skills and energy became more of a demand people who didn't have skills just got left behind got shuttled to the side. Education didn't keep up with their promise. Education didn't prepare them for this new world. Jobs went overseas.

You can't have a university without having free speech even though at times it makes us terribly uncomfortable. If students are not going to hear controversial ideas on college campuses they're not going to hear them in America. I believe it's part of their education.

'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.

Of emotions of love of breakup of love and hate and death and dying mama apple pie and the whole thing. It covers a lot of territory country music does.

My mother and dad were big animal lovers too. I just don't know how I would have lived without animals around me. I'm fascinated by them - both domestic pets and the wild community. They just are the most interesting things in the world to me and it's made such a difference in my lifetime.

Freedom. And Justice. If you have those two it covers everything. You must stick to those principles and have the courage of your convictions.

My mother used to take me to flea markets in my stroller and I would just rummage through the piles. You've got to dig through the overstuffed racks that everyone else just walks by. It's the only way to find the cool stuff.

I was in a really crummy pop-punk band. I think we did a whole bunch of Blink-182 covers and we were on the fringe of losers and jocks. So we invited all the cool kids to come watch us play in our bass player's brother's bedroom. And it was terrible but everyone thought we were so cool.