More negatives write than call. It's a cheap shot for me to go on the air with the critical letters or E-mail I get because the reaction of the listeners is always an instantaneous expression of sympathy for me and contempt for the poor critic.

I think that everything you do helps you to write if you're a writer. Adversity and success both contribute largely to making you what you are. If you don't experience either one of those you're being deprived of something.

Success comes to a writer as a rule so gradually that it is always something of a shock to him to look back and realize the heights to which he has climbed.

It's hard for children's authors to be accepted when they try to write adult books. J.K. Rowling is the exception because people are so eager to read anything by her but it took Judy Blume three or four tries before she had a success.

First-person narrators is the way I know how to write a book with the greatest power and chance of artistic success.

Writers as they gain success feel like outsiders because writers don't come together in real groups.

There's that unwritten schism that literary writers get all the awards and commericals writers get all the success.

Which is - you know like check it out I'm pretty young I'm only about 40 years old. I still have maybe another four decades of work left in me. And it's exceedingly likely that anything I write from this point forward is going to be judged by the world as the work that came after the freakish success of my last book right?

Usually I write about what I care about which is a weakness but I think also a strength.

The first thing is that we're being attacked by both the Writers Guild and the Producers Guild. Both of these groups are trying to diminish the importance and strength of the director. They're trying to do it through both frontal and side attacks.