I was writing short films and I was going through this really really really terrible end of a relationship that I didn't want to be going through. It was too much for me to process and all of a sudden I had this idea for my first feature film and I knew right away I had to start writing it.

Every relationship probably has at its inception a hundred things that you could pick on and divert you from it but the feeling is there. You figure out a way to make it work.

My relationship and the bond with the people in Montreal was kind of special and doesn't happen very often.

I think when you're trying to produce a relationship on screen that doesn't actually exist perhaps sometimes there's a temptation to look at each other more to touch each other more.

In the first Spider-Man at the end of the movie Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city.

We had a strong relationship with Walter Brown and felt that he was the best owner in the league.

I really have always wanted to be a parent and when I hit 36 and had just ended a relationship I remember thinking how much I still wanted it. But I thought I'd adopt.

Novel technologies and ideas that impinge on human biology and their perceived impact on human values have renewed strains in the relationship between science and society.

I have a much wider freer view about spirituality. I feel that people need to pursue it on their own personally. You know let it be theirs - a personal relationship with their soul or their God or with their church.

In a movie like this the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job.