What I'm concerned about is endless borrowing which is going to compromise our economy not only today but in the future. Because we know the decisions we make right now really dramatically impact us in the future and the debt is literally getting out of our control.

I like the hot-cold the sugar-salt being able to play over-the-top and dramatic things - in the same film. Just as in my life I can be very funny and at other times almost extinguished.

I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang Tod Browning and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.

I think it's actually a misperception that I am a comedic actress. I do more drama than comedy but very little of it has been seen. When you are in big funny movies and they do well and your little part in it kind of explodes people perceive you as a comedian.

I actually feel like for a lot of my career I wasn't able to show my comedic range. I did a lot of dramas and dramedies. I was on 'E.R.' That's not generally thought of as a funny show.

But sooner or later I'd love to do a comedy. I mean I think that you know people don't think that that's in my wheelhouse because I've sort of played a lot of dramatic stuff and that's certainly a side of myself that I want at some point in the right context in the right stuff that I find really funny.

It's interesting - I always thought when I was doing more melodramatic stuff like 'Everwood' that the directors were constantly reeling me in and stopping me from being funny.

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama I just try to make it as realistic as possible.

But I think Kiss Kiss Bang Bang really got that thing where if a movie reads really funny and then has some dramatic or violent or sinister stuff in it you can't forget that primarily it has to be even funnier than you read it or that other stuff doesn't work.

Especially with a comedy you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.